After overcoming a handful of logistical obstacles, I was finally able to cast both my Alien and Torso prints. The torso print was tricky, as the arm presented a significant challenge for removal with every cast. Unfortunately, the printed Alien head broke while removing it from the mould.
Monday, December 5, 2022
Erik DeFries: Week 7 - Moulds and Messes
Erik DeFries: Week 6 - The Art Formerly Known as Prints
3D prints! Such excitement! I'm very pleased with how the alien turned out. The torso, however, printed way too small: the fingers were incredibly brittle and broke on the way home. I'm re-printing the torso myself at the Lab. Still no access to Rhino outside of the lab computer itself.
Project 1 Part 2 Fabrication through mold making
Firstly, with the 3d printed model, some smoothing needed to be done to get rid of some texture made through the 3d printing process.
The one on the left was created with the onyx black mixed with brass powder, and a wood style texturing on epoxy clay to have a small coating of "wood" around the creature pretending to be a stump. I used plaster and a metal brush sculpting tool to create some "moss". I feel as though this one has a couple ways of being improved and I plan to eventually. Painted using acrylic paints.
Project 1 part 1 mudbox into rhino - Vinayak Nair
Part 1 was all about crafting the model we would work with throughout the semester. In Mudbox I attempted to craft a roughly textured tree stump monster that played on the idea of the innocuousness and monstrous creatures. How something as rudimentary as a tree stump, something that can't even move could be rendered in terrible, horrifying form. Taking it into rhino served the purpose of adding the eye and adding a base to the sculpture, the problems I faced here pop up later in the processes as well, so it was all a learning experience in the end. I messed up in how I modelled the eye as a separate mesh within the original mesh of the stump itself. This original image above was my first try that was just not well sculpted whatsoever. I redid it and that's the result below.
Erik DeFries: Week 2 Torso 3D modeling
Now armed with the foreknowledge (pun intended) that this sculpture would later be printed, molded, and cast, I detached the upper-arm section to print separately. The arm would later join to the torso via a pentagonal peg. This also allowed me to swap/interchange different styles of arm.
Reading ahead in the syllabus, it seemed prudent to have a decimated, polygon-ized version of the torso prepared and printed as well.
Moving forward, I elected to source my torso sculpt and my alien head sculpt in parallel for future projects.
Erik DeFries: Week 1 Mudbox Alien Head
Ideology
I named this series "Ideology." As ideology always silences the voice of all but itself, this composition shows a hand in each sculpture that tries to silence the voices of diverse opinions. The initial idea was derived from the revolution that occurred in Iran that brought the voice of Iranian women to the ears of the world. The voice that was silenced for more than 40 years. Now women are shouting it by setting their scarves on fire, going in the streets without head covers, and cutting their hair to demonstrate disobedience toward mandatory hijab. The idea of showing hair as a tool for expression led to the idea of adding different hairs to imply diverse thoughts. So, I added hair with a distinct personality to the molded copies.
The silence of Iranian women was a silence whose breaking has cost the lives of dozens of children and teenagers and hundreds of other innocents. With the intensification of the Islamic regime's violence in Iran, committing mass murder, attacking girls' high schools, beating students, and killing them, I felt more anger than before. I tried to express this anger by adding a fist to the third statue's hair. Today, anger is the most powerful emotion that Iranians feel towards oppression, and they use it to liberate themselves and achieve freedom. So, I added anger to the collection.